What's happened
Trevor Jones's upcoming exhibition 'EXPOS3D' at Edinburgh's Custom House explores the intersection of faith, tradition, and technology. Opening on October 12, it features immersive art blending traditional and digital media, reflecting on how digital omniscience replaces divine gaze and impacts the human spirit.
What's behind the headline?
The 'EXPOS3D' exhibition exemplifies a broader trend of integrating technology into art to explore societal themes. By merging painting, sculpture, AR, and AI, Jones's work confronts audiences with the evolving nature of faith and authority. This fusion challenges viewers to consider whether digital systems are replacing spiritual guidance or merely transforming it. The exhibition's immersive nature amplifies its impact, making abstract questions about control and resistance tangible. As society increasingly relies on algorithms and surveillance, this art underscores the potential loss of human agency and spiritual connection. The timing aligns with ongoing debates about AI's role in society, positioning the exhibition as both a reflection and critique of digital omniscience's rise. It will likely influence future art practices and public discourse on technology's spiritual implications, emphasizing the need for critical engagement with digital power structures.
What the papers say
The Scotsman's coverage highlights the exhibition's immersive, multi-sensory approach and its reflection on how technology replaces traditional notions of divine gaze. The article quotes Trevor Jones emphasizing that the show is not an attack on tradition but an observation of societal change. The South China Morning Post discusses other contemporary art exhibitions and designers, providing context on how Asian and global artists are engaging with digital and sensory experiences. While the Post's focus is broader, it underscores the importance of immersive art in challenging narratives and exploring identity, aligning with Jones's aims. The articles collectively suggest that 'EXPOS3D' is part of a wider movement of art questioning authority, faith, and the role of technology, with a focus on sensory and experiential engagement.
How we got here
Recent art exhibitions have increasingly incorporated digital and immersive elements, reflecting societal shifts towards technology. Trevor Jones, known for blending traditional art with digital media, aims to provoke thought on how technology influences perceptions of faith and spirituality, especially as traditional religious authority wanes in favor of digital omniscience.
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