What's happened
John Banville reflects on his experience at the Prado Museum, while Zimbabwean artist Rosselli showcases her work at the Venice Biennale and AKAA art fair. Both artists delve into themes of identity, memory, and the impact of socio-political issues through their art.
Why it matters
What the papers say
According to the South China Morning Post, John Banville expresses a profound connection to Velázquez's 'Las Meninas', stating, 'Every time I look at it, it becomes stranger again.' This highlights his ongoing fascination with the painting's enigmatic qualities. Meanwhile, All Africa reports on Rosselli's exhibitions, noting her emphasis on breaking down barriers, with her work at the Venice Biennale focusing on the theme of 'Undone'. Rosselli articulates, 'The wall pieces are metaphors for inclusivity,' showcasing her commitment to addressing socio-political issues through art. The New York Times discusses David Salle's latest works, emphasizing the role of artificial intelligence in his creative process, which adds a contemporary layer to the exploration of identity in art.
How we got here
Banville's fellowship at the Prado Museum allows him to engage deeply with classic artworks, while Rosselli's exhibitions in Venice and Paris mark her European debut, highlighting her exploration of colonial legacies and environmental concerns.
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