What's happened
In 2026, 'My Father’s Shadow,' a debut by Akinola Davies Jr., became Nigeria’s first film in Cannes' official selection, earning international acclaim. Set in Lagos in 1993, it explores memory, loss, and Nigeria’s political upheaval, winning awards and highlighting Nigeria’s thriving film industry.
What's behind the headline?
The significance of 'My Father’s Shadow' extends beyond its narrative. Its selection at Cannes signals a turning point for Nigerian cinema, which has long been overshadowed by Hollywood and Bollywood. The film’s autobiographical nature and political backdrop deepen its emotional resonance, illustrating how personal and national histories intertwine. Its international recognition will likely boost Nigeria’s film industry, encouraging more local stories to reach global audiences. The film’s success also challenges stereotypes about African cinema, demonstrating that Nigerian filmmakers can produce works of universal appeal and artistic merit. As a debut, Davies’ achievement foreshadows a promising future for Nigerian directors on the world stage. The film’s awards and nominations will likely open doors for more Nigerian films to gain international prominence, fostering a new era of cultural export and industry growth.
What the papers say
The Independent highlights the film's historic Cannes debut and its impact on Nigerian cinema, emphasizing its autobiographical depth and international acclaim. AP News underscores the film’s political context and its role in elevating Nigeria’s film industry, noting its awards and Oscar submission. Both sources agree on the film’s significance but differ slightly in focus: The Independent celebrates its artistic achievement, while AP emphasizes its cultural and political importance. This contrast illustrates how the film functions both as a personal story and a national milestone, resonating on multiple levels for diverse audiences.
How we got here
The film is autobiographical, based on the directors' memories of their father who died when they were toddlers. It was developed over a decade, with Wale Davies initially sending Akinola a script in 2012. The story is set against Nigeria’s political turbulence in 1993, a pivotal moment when democracy was under threat. The film’s success at Cannes marked a historic milestone for Nigerian cinema, showcasing its talent and stories on a global stage. It is a British-Nigerian production, selected as Nigeria’s Oscar entry, and has received multiple awards and nominations, including at the British Independent Film Awards and BAFTAs.
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