London’s historic concert hall with 5,272 seats and a legacy of global performances since 1871.
The Edinburgh International Festival showcases modern, urgently topical pieces, including Ana Sokolović’s You Can Die Peacefully Now and Ian Cusson’s Un cri s’élève en moi, with cellist Alisa Weilerstein and conductor Rafael Payare delivering a forceful program that blends contemporary voices with Strauss’s Ein Heldenleben.
A cross-industry taskforce led by former John Lewis chair Sir Charlie Mayfield has signed up more than 250 major employers to monitor sickness absence, return-to-work outcomes and disability participation. The aims are to reveal workplace health performance and unlock productivity gains valued at billions. The initiative follows government reforms and ongoing debates about welfare and labour participation.
BBC confirms the long-running sci-fi series will not have a Christmas special as plans mature for a competitive tendering process. Russell T Davies has exited, with the BBC planning to invest in the show’s long-term future and explore external platforms.
A short film, Echoes, explores how two men confront trauma and mental health while reconciling past events at a former school. The project, led by Walters and Nathalie Emmanuel with director Alex Lanipekun, features on-set mental health support and politicians a reflection on masculinity and violence, drawing parallels with a TV series about toxic culture.
A new opera by Missy Mazzoli and Royce Vavrek, staged by Tom Morris for Scottish Opera and Opera Ventures, uses Kafka’s fable to explore how a carnival’s ‘galloping cure’ exposes a town to pain’s true cost. Cast features Daniela Mack, Justin Austin, and Susan Bullock; staging blends spectacle with biting social critique.
A series of interviews and festival appearances highlight a lifetime in theatre, from Olivier-winning performances to enduring roles on stage and screen. New retrospectives and archival screenings showcase how a lifetime in performance continues to shape audiences worldwide.