American documentary filmmaker and producer
A new UK/US cinema release revisits Facebook’s rise and the whistleblower-led disclosures that reshaped public trust. The film portrays Zuckerberg as a calculating yet increasingly isolated figure, while audiences confront the broader question of tech giants steering society.
The Independent reports that London hosts The Final Film Festival from August 6–9, offering international premieres and hidden gems in venues from the ICA to Peckham’s The Castle. Organisers say the festival aims to fill a niche between large festivals, welcoming both acclaimed titles and cult favorites.
Migrants crossing from Morocco to Ceuta have triggered a renewed EU debate. Authorities have faced volatile scenes at the border, while disinformation and international responses shape the narrative. The flow of people and the political reactions highlight long-standing fortress Europe policies.
The Guardian, Business Insider UK, The Guardian and Independent pieces report on Alex Gibney’s four-hour Musk documentary. Ashley St Clair alleges Elon Musk discussed having a child to build a “legion” before civil conflict, with a $40m NDA offer later declined. The film questions Musk’s power, algorithm changes at X, and his political shift. Venice premiere provided a harsh critique of Musk’s influence.
The Venice film festival features a four-hour documentary on Elon Musk that critics say is highly critical. Musk has branded the film a hit piece, while director Alex Gibney defends it as rigorous inquiry. The documentary includes AI-generated Musk commentary and details about Musk's business ventures and public presence.
A new documentary by Ross McElwee, Remake, and a related memoir, trace creativity’s lure and the cost of truth-telling as a filmmaker contends with memory, loss and the ethics of filming. The film blends archival footage, family history and intimate self-scrutiny to explore how documentary practice can become a performance under the gaze of the camera.