The world’s most prestigious invitation-only film festival, held annually in Cannes, France
Venice Film Festival winners have spotlighted gender disparity in cinema. May el-Toukhy’s Woman Unknown has won Golden Lion; Lee Chang-dong’s Possible Love takes Silver Lion; Ilya Khrzhanovsky’s DAU wins best director. Gaza documentary NAZA earns a special jury prize. The festival continues to face questions about female representation in major competitions.
TikTok is expanding beyond social video to include shopping, travel bookings, and payments, signaling a move toward a “super app” model. Separate microdrama deals show investors betting on AI-assisted, mobile-first storytelling as a growing entertainment niche, while studios and networks explore vertical formats and creator-owned IP.
A slate of Guardian and Independent pieces looks back at iconic robots and sci‑fi cinema, while The Guardian surveys TV droids and the Independent reflects on why Stranger Things resonated with Gen Z, noting nostalgia for pre‑tech life.
Venice has announced its lineup with new titles and a slate that mirrors Cannes in its mix of international cinema and documentaries. TIFF has revealed more than 60 films for its gala and special presentations, signaling its role as a key market ahead of the fall awards race. The two festivals showcase a mix of traditional studio projects and bold indie filmmaking.
Bruce Dern reflects on a lifetime in film, from early work with Hitchcock to Cannes success in Nebraska, and hints at a new story involving Marilyn Monroe as he discusses ageing in cinema and the AI era.
At TIFF 2026, studios are bypassing fall festivals while markets expand. Major releases skip screenings, while the market and Red Sea Fund-backed projects push Toronto as a hub for sales and international partnerships. TIFF’s evolving role mirrors a broader shift in how studios reach audiences and win awards amid a crowded fall slate.