Canadian film director, screenwriter, producer and actor; originator of body horror
Glastonbury organisers have announced next year’s line-up progress, with three headliners confirmed and Madonna ruled out. Rumours point to Taylor Swift, Harry Styles and Oasis as contenders for 2027, with bookies’ odds reflecting growing certainty around major acts while other names circulate.
A newly released slate of reviews examines a Covid-era romance and a Sundance-like indie road movie, both with uneven executions. The Guardian critics note the emotional aims, world-building, and performances, while raising questions about pacing, scope, and commercial strategy.
Zach Cregger has directed a Resident Evil movie that remains faithful to survival horror mechanics while injecting his meta-commentary and kinetic nervous energy. Austin Abrams leads as a flawed courier, delivering a high-stakes package through a snowbound hospital and a city overrun by T-virus horrors.
The Guardian and The Scotsman critique Aaron Sorkin’s sequel to The Social Network, The Social Reckoning, with Jeremy Strong’s Zuckerberg cast as a calculating, isolated figure. Frances Haugen and Jeff Horwitz drive the whistleblower narrative, while the film channels Sorkin’s signature dialogue and addresses algorithm-driven harms and Capitol riot echoes.
Crystal Lake expands Friday the 13th lore by focusing on Pamela Voorhees’s backstory and Jason’s drowning timeline shift. Critics note strong central performance by Linda Cardellini but uneven pacing and tonal shifts.
The Guardian, France 24, BBC Business and France 24 report the death of Tom Skerritt at 93 from natural causes. His six-decade career spanned M*A*S*H, Top Gun, A River Runs Through It and Picket Fences, earning him an Emmy and multiple film roles.