American media franchise about Gru, the adoptive daughters, and the Minions
Horror films directed by young creators from YouTube and TikTok are reshaping the summer box office, with Kane Parsons’ Backrooms and Curry Barker’s Obsession delivering strong openings. Steven Spielberg’s Disclosure Day opens strongly in the U.S. and worldwide, while Masters of the Universe struggles to meet expectations. Audiences over 34 are driving early legs for original releases.
Minions & Monsters has opened strongly, topping North American box office with $36.4 million for the holiday weekend and $61.4 million over five days. Toy Story 5 follows with $31 million, while Young Washington debuts around $21 million. Supergirl trails, and overall weekend revenue is down year-on-year but up for the summer period vs 2025.
The latest from major studios shows a blend of high-profile talent and innovative storytelling as Minions & Monsters charts a path through 1920s Hollywood. The project explores non-verbal storytelling and behind-the-scenes animation work, while a star-studded cast positions the film for global release.
The DHS inspector general finds multiple failures by the Secret Service ahead of a Trump rally, including miscommunications and unmonitored rooftop access. The report cites missed warnings, lack of joint operations, and a drone overflight, contributing to a deadly incident.
The Minions & Monsters franchise continues to ride high on box office success, with Coffin defending its bridge to cinema history while the latest film tests whether silent era nostalgia can translate into new, daring storytelling.