Edinburgh’s Fringe mainstage producer and promoter
Amanda Knox’s Edinburgh Fringe show Cartwheel has drawn renewed attention and protest after Stephanie Kercher criticised it as normalising violence against women. Knox defends the piece as a personal, motherhood-focused account of surviving wrongful imprisonment. Fringe organisers emphasise freedom of expression, while petitions call for cancellation.
The Edinburgh International Festival spotlight has showcased a mix of traditional and experimental concerts as leading ensembles and performers adapt to economic pressures and changing audiences. Notable moments include high-profile collaborators, large-scale works, and debates about funding and the role of patronage.
The Edinburgh International Festival presents Sobelle’s Clown Show, a contemporary portrait of America as a falling-apart circus. The piece, commissioned by EIF, asks audiences to dream while tracing a nation’s fragility through circus imagery and live performance.
Amanda Knox’s Edinburgh Fringe show Cartwheel is attracting controversy as petitions against it gain signatures while audiences and critics weigh its value as a personal, defiant retelling of her case. Reviews vary, with supporters praising its honesty and detractors arguing it trivialises violence against women.
A round-up of fringe-fronted interviews from The Scotsman and The Guardian, capturing performers sharing inspirations, challenges and hopes for Edinburgh Fringes, with a look at what it means to stage improv and solo shows in a crowded festival.