American actress and filmmaker, Golden Globes nominee, Oscar-winner-hopeful
The Independent reports that London hosts The Final Film Festival from August 6–9, offering international premieres and hidden gems in venues from the ICA to Peckham’s The Castle. Organisers say the festival aims to fill a niche between large festivals, welcoming both acclaimed titles and cult favorites.
The Royal Shakespeare Company has opened The Mad King, a Game of Thrones prequel, in Stratford-upon-Avon. The 3h45m production brings younger versions of familiar figures to the stage with a 36-strong cast and innovative puppetry. Reviews are mixed on pace and poetry, but the project aims to broaden GoT’s reach beyond devoted fans.
Genesis unveils the GV90, its first full-size electric SUV, signaling a bold push into premium markets. The Neolun variant with coach doors and a lounge-like cabin showcases high-end features as Genesis outlines its three pillars—luxury, performance and hospitality—while signaling a broader portfolio development.
Venice Film Festival names NAZA, by Israeli directors Yuval Abraham and Rachel Szor, as the festival’s only documentary in competition. The film, shot at night from Tel Aviv rooftops, examines what the filmmakers describe as Israel’s calculated mass killing of Palestinian civilians in Gaza. It builds on reporting by +972, Local Call and The Guardian, with production by The Guardian and JW Films and executive producing by Jonathan Glazer. The festival runs 2–12 September.
Venice Film Festival winners have spotlighted gender disparity in cinema. May el-Toukhy’s Woman Unknown has won Golden Lion; Lee Chang-dong’s Possible Love takes Silver Lion; Ilya Khrzhanovsky’s DAU wins best director. Gaza documentary NAZA earns a special jury prize. The festival continues to face questions about female representation in major competitions.
The Guardian, Business Insider UK, The Guardian and Independent pieces report on Alex Gibney’s four-hour Musk documentary. Ashley St Clair alleges Elon Musk discussed having a child to build a “legion” before civil conflict, with a $40m NDA offer later declined. The film questions Musk’s power, algorithm changes at X, and his political shift. Venice premiere provided a harsh critique of Musk’s influence.
A surge of runway shows and campaigns in Paris, Milan and Dubai highlights how brands are leaning into luxury heritage and performance, even as the industry faces a soft market. Designers are unveiling new creative directors and collections that mix traditional craftsmanship with modern spectacle, underscoring a shift toward tangible, wearable luxury.
The Venice film festival features a four-hour documentary on Elon Musk that critics say is highly critical. Musk has branded the film a hit piece, while director Alex Gibney defends it as rigorous inquiry. The documentary includes AI-generated Musk commentary and details about Musk's business ventures and public presence.