Scotland’s national theatre company, a touring, walls-free company since 2006.
A modern stage adaptation of Muriel Spark’s The Prime of Miss Jean Brodie receives a powerful, problematising performance. Gayle Rankin leads as Brodie in a production that reframes the 1930s-era school as a crucible of ideology, art, and power, with vivid design and a daring political edge.
Glasgow School of Art says full restoration of the Mackintosh Building is unaffordable without external funding, with cost estimated at £265m. The institution plans to stabilise the structure, remove scaffolding, and pursue a future anchored in creative and cultural industries while seeking visionary investment and public support.
Edinburgh’s King’s Theatre has reopened after a near-four-year closure following a £41 million refurbishment. The Edwardian venue now features enhanced accessibility, a level stage, extended fly tower, upgraded technical infrastructure and doubled hospitality capacity. Test events have taken place and tours are selling quickly ahead of fringe season.
Scotland has delivered a scaled-back, sustainable Commonwealth Games after Victoria withdrew. The city used existing venues, emphasised legacy, and expects continued investment to sustain nationwide sport participation and facilities.
Irish actress Saoirse Ronan has expressed interest in playing the next Bond villain, as odds narrow on the star of Slow Horses, Letitia Wright’s successor, to take the 007 mantle. Ronan says she is “dead serious” about a villain part, while Emilia Lowden continues to be mentioned as a frontrunner for Bond. The pair would become the first married couple to work opposite each other in a Bond film if cast.
Two Edinburgh plays revisit 18th-century culture: Brian Logan's Douglas explores Enlightenment tensions, while Jordan & Skinner's Do Not Pass Go tells Lizzie Magie's story and Monopoly’s contested origins. Both shows, in Edinburgh and Aberdeen, mix historical drama with a sharp eye on gender and power, running through October.