American actress and filmmaker
Toy Story 5 has opened to record franchise returns, grossing roughly $312m worldwide and dominating ticket sales. Low‑budget horror films made by online creators — notably Obsession, Backrooms and Iron Lung — have posted surprise gains. By contrast, DCilms' Supergirl has underperformed, opening far below studio expectations and drawing poor reviews.
Dame Penelope Keith has died after a battle with cancer. Her career spans stage, The Good Life and To the Manor Born, with a lasting impact on British comedy. Tributes praise her comic genius and decades of work in theatre, television and charity.
Minions & Monsters has opened strongly, topping North American box office with $36.4 million for the holiday weekend and $61.4 million over five days. Toy Story 5 follows with $31 million, while Young Washington debuts around $21 million. Supergirl trails, and overall weekend revenue is down year-on-year but up for the summer period vs 2025.
A retrospective look at how Independence Day became a watershed blockbuster, shaping careers and the Hollywood landscape, with focus on Roland Emmerich, Dean Devlin, and the film’s lasting impact on sci-fi franchises.
Olivia Wilde’s The Invite has sparked a broader conversation about modern relationships. The film, directed by Wilde and starring her opposite Seth Rogen, centers on a couple whose marriage unravels during a dinner with liberated neighbours. The conversation touches on identity, societal expectations, and the purification of self within intimate life.
New film, theatre and music events have been announced, spanning cinema premieres, stage productions and live tours across the UK. The Guardian and Independent cover forthcoming releases and performances; dates run through September with festivals and exhibitions filling the calendar.
The summer box office has risen to about $4.6–4.76 billion in domestic ticket sales, driven by both high-profile releases and new, low-budget hits. While inflation-adjusted figures show a more modest rebound, the industry is signaling resilience as filmmakers and audiences rebound from pandemic disruptions. Fall releases are expected to sustain momentum amid ongoing industry changes.
A retrospective on Nagisa Oshima-influenced director Gregg Araki’s provocative career, with his new film I Want Your Sex starring Olivia Wilde and Cooper Hoffman, set against a culture of media excess and indie cinema reinvigoration.
At Venice, May el-Toukhy’s Woman Unknown has won the Golden Lion, while Lee Chang-dong’s Possible Love takes Silver Lion and Ilya Khrzhanovsky’s DAU wins best director. Gaza documentary NAZA earns a special jury prize. The festival also highlights ongoing questions about female directors’ representation in major competitions.
At TIFF 2026, studios are bypassing fall festivals while markets expand. Major releases skip screenings, while the market and Red Sea Fund-backed projects push Toronto as a hub for sales and international partnerships. TIFF’s evolving role mirrors a broader shift in how studios reach audiences and win awards amid a crowded fall slate.