American actress and filmmaker
The Guardian reports on multiple cultural releases this week, including new sci-fi and horror films, a romcom, and live events across the UK. The pieces highlight a mix of big-name talent and emerging artists, with festival announcements and gallery shows in major cities.
Fall 2: Deadpoint continues the cliff-edge survival premise of the 2022 thriller Fall, relocating to a Thai mountain with two young leads facing new hazards after a rockslide. While the tension remains effective in spots, the sequel leans on a familiar formula and melodramatic twists, delivering thrills that sometimes feel outweighing the logic.
A retrospective on Nagisa Oshima-influenced director Gregg Araki’s provocative career, with his new film I Want Your Sex starring Olivia Wilde and Cooper Hoffman, set against a culture of media excess and indie cinema reinvigoration.
Venice has faced criticism for including few female directors in its main competition. May el-Toukhys Woman Unknown was the lone woman-led feature in the initial lineup; festival organisers have since added the documentary NAZA. Jury president Maggie Gyllenhaal and programmers at London Film Festival have said structural barriers, especially financing, are limiting womens progression to larger films.
At TIFF 2026, studios are bypassing fall festivals while markets expand. Major releases skip screenings, while the market and Red Sea Fund-backed projects push Toronto as a hub for sales and international partnerships. TIFF’s evolving role mirrors a broader shift in how studios reach audiences and win awards amid a crowded fall slate.