Scottish studio theatre in Pitlochry, Pierced by a century of performance tradition
Maureen Beattie has been cast as Lear in a new Pitlochry Festival Theatre production adapted and directed by Finn den Hertog. The show, staged by artistic director Alan Cumming, has opened a run from 4 July to 1 August 2026 and reframes King Lear as a matriarchal tragedy performed by a largely Scottish company.
Outlander actors reflect on early scene practices, the introduction of intimacy coordinators, and the industry’s evolving approach to nude scenes. The conversation, held at Pitlochry Festival Theatre in Scotland, also touches on the series’ end and potential future projects.
A large crowd has attended Glen Hansard’s funeral at St Patrick’s Cathedral in Dublin after the 56-year-old musician died in a motorcycle crash on the outskirts of the city. Friends and fellow musicians including Bono and Eddie Vedder have paid tribute; a public wake at IMMA and queues to sign condolence books have honoured his life and charity work.
A round-up of recent Fringe reviews highlights how new plays and games are probing technology’s reach—from AI ethics in Prove You’re Human to aging and human longing in Lifelong Protocol and Water Colour, with sharp direction and performances shaping urgent conversations.
A new show from Dundee Rep and Solar Bear, The Singer, centers Deaf performer Jamie Rea and a listening partner, with KT Tunstall providing original music. The production marks a milestone for bilingual, Deaf-inclusive theatre on Edinburgh’s main stages, following a decade of development in Scottish arts.