Fringe venue Pleasance Courtyard drives up to four-star comedy and dramatic premieres, nurturing sharp, singular voices while facing the pressures of festival life.
The Edinburgh International Festival presents Sobelle’s Clown Show, a contemporary portrait of America as a falling-apart circus. The piece, commissioned by EIF, asks audiences to dream while tracing a nation’s fragility through circus imagery and live performance.
A round of Edinburgh fringe reviews presents sharp personal voices—from Sophie Duker and Katharine Koch to Dan Rath—each shaping a distinct narrative about relationships, power and perception. The dispatches highlight bold, funny storytelling that leans into real-life drama, while balancing performance with topical commentary.
Fringe performers from The Scotsman, Guardian and Independent discuss their journeys, challenges and upcoming Edinburgh shows, offering a window into the festival’s evolving landscape.
Britney, the Edinburgh-bound duo of Clive and Robertson, are taking two Fringe shows this summer while continuing busy US and UK projects. They reflect on the strain and joy of festival life and their long-running collaboration.