English actor known for alternating blockbuster and indie roles
Spider-Man: Brand New Day has opened with a record domestic debut, while The Odyssey leads the global box office, underscoring a year of mega releases. The industry is buoyed by premium formats and high ticket prices, even as overall audiences lag behind pre-pandemic levels.
Venice has faced criticism for including few female directors in its main competition. May el-Toukhys Woman Unknown was the lone woman-led feature in the initial lineup; festival organisers have since added the documentary NAZA. Jury president Maggie Gyllenhaal and programmers at London Film Festival have said structural barriers, especially financing, are limiting womens progression to larger films.
The Guardian and Independent report on Robert Pattinson’s busy 2026 slate, including Primetime and The Odyssey. Pattinson says spinning multiple projects has become addictive following the birth of his child, while Nolan’s Odyssey breaks box-office records and prompts discussions about future projects.
At TIFF 2026, studios are bypassing fall festivals while markets expand. Major releases skip screenings, while the market and Red Sea Fund-backed projects push Toronto as a hub for sales and international partnerships. TIFF’s evolving role mirrors a broader shift in how studios reach audiences and win awards amid a crowded fall slate.
Elizabeth Holmes documentary You Can See Everything has premiered at Telluride, documenting the weeks before her 2023 prison reporting. The film, directed by Nathan Fielder and Lance Oppenheim, follows Holmes and her husband as cameras track her life before imprisonment. Critics note the film blends reality and performance; audiences are unsettled by her demeanor and the film’s secrecy.
The Venice film festival features a four-hour documentary on Elon Musk that critics say is highly critical. Musk has branded the film a hit piece, while director Alex Gibney defends it as rigorous inquiry. The documentary includes AI-generated Musk commentary and details about Musk's business ventures and public presence.
Documents the renewed scrutiny around Elizabeth Holmes following the Telluride premiere and the limited footage revealing how the Theranos saga continues to shape Silicon Valley’s narrative, as directors Nathan Fielder and Lance Oppenheim chronicle the months leading to her prison reporting.
The 70th London Film Festival has opened with Simon Stone’s biographical drama Elsinore, starring Olivia Colman and Andrew Scott, about Ian Charleson’s final Hamlet performance. The director has discussed Day-Lewis’s reaction to revisiting the exit from the 1989 production. The festival runs for 12 days, featuring world premieres and a roster of international talent.
The Guardian, Business Insider UK and The Guardian have covered the avant-garde documentary You Can See Everything, which follows Elizabeth Holmes before her 11-year fraud sentence. The film juxtaposes a tense interview dynamic with a broader meditation on truth and manipulation in the age of media spectacle.
A review of Junk portrays a film with ambitious visuals and a split narrative that struggles to cohere. Schwimmer’s screenwriter storyline conflicts with two addicts’ odyssey, delivering striking images but a lack of tonal unity and consistent focus on character.