International cultural exhibition held in Venice every two years
Design Week in Jerusalem unfolds at Hansen House and surrounding venues, mixing sports-inspired art, trophies, and interactive installations. The event runs July 9–16, with free entry and a shuttle linking venues. Highlights include Trophy culture, Bezalel-led poster projects, and the Beitar vs. Hapoel fan-vs-fan video installation, alongside a Beit Shemesh garden of urban design.
Public mourners gathered at Buckfast Abbey for Ann Widdecombe’s private requiem, following her death on 8 July at 78 after a fatal assault. The service featured tributes from family, political figures and clergy. A public memorial is planned later this year, with donations split between Leprosy Mission and Abound India.
Venice Film Festival names NAZA, by Israeli directors Yuval Abraham and Rachel Szor, as the festival’s only documentary in competition. The film, shot at night from Tel Aviv rooftops, examines what the filmmakers describe as Israel’s calculated mass killing of Palestinian civilians in Gaza. It builds on reporting by +972, Local Call and The Guardian, with production by The Guardian and JW Films and executive producing by Jonathan Glazer. The festival runs 2–12 September.
Yayoi Kusama has died at 97, her studio has announced. The Japanese artist has become globally famous for polka dots, Infinity Nets and Infinity Mirror Rooms, and she has continued to paint into her final days. Her work has drawn huge museum audiences and influenced generations of artists across pop, minimalism and performance art.
Yayoi Kusama has died at 97 in Tokyo, with a life spanning seven decades of radical art. Born in Matsumoto in 1929, she rose from early visions to international fame, with Infinity Mirror Rooms and pumpkin motifs shaping modern sculpture and installation art.
A wave of art and urban-design initiatives is reshaping public spaces in European cities. From Aberdeen’s Bon Accord Baths hosting a large-scale art installation to Glasgow’s archives becoming public, the trend emphasizes accessible, site-specific works that invite community engagement.