The world’s oldest film festival and a pillar of the Venice Biennale
Venice Film Festival names NAZA, by Israeli directors Yuval Abraham and Rachel Szor, as the festival’s only documentary in competition. The film, shot at night from Tel Aviv rooftops, examines what the filmmakers describe as Israel’s calculated mass killing of Palestinian civilians in Gaza. It builds on reporting by +972, Local Call and The Guardian, with production by The Guardian and JW Films and executive producing by Jonathan Glazer. The festival runs 2–12 September.
A couple and their observers navigate a web of failed dreams and fragile affection in a cautious, intelligent drama from Seoul-based cinema. The film questions whether love can endure in the face of social pressure, economic strain and personal loss, offering a tempered, reflective ending.
Venice has faced criticism for including few female directors in its main competition. May el-Toukhys Woman Unknown was the lone woman-led feature in the initial lineup; festival organisers have since added the documentary NAZA. Jury president Maggie Gyllenhaal and programmers at London Film Festival have said structural barriers, especially financing, are limiting womens progression to larger films.
At TIFF 2026, studios are bypassing fall festivals while markets expand. Major releases skip screenings, while the market and Red Sea Fund-backed projects push Toronto as a hub for sales and international partnerships. TIFF’s evolving role mirrors a broader shift in how studios reach audiences and win awards amid a crowded fall slate.
The Oasis documentary Don’t Look Back in Anger chronicles the 2025 reunion tour, capturing Liam and Noel Gallagher’s reconciliation and the emotional response from fans in Cardiff. Directors Will Lovelace and Dylan Southern show how music bridged a 15-year rift, culminating in a two-hour set that resonated across generations.
Oscar winner Susan Sarandon says studios are still avoiding her because of her outspoken support for Palestinians. At Venice, she notes shifts in public opinion but reports ongoing gatekeeping by agencies and studios despite her new film, The Echo Chamber.
The Guardian, Business Insider UK, The Guardian and Independent pieces report on Alex Gibney’s four-hour Musk documentary. Ashley St Clair alleges Elon Musk discussed having a child to build a “legion” before civil conflict, with a $40m NDA offer later declined. The film questions Musk’s power, algorithm changes at X, and his political shift. Venice premiere provided a harsh critique of Musk’s influence.
The dress once worn by Princess Diana at the Serpentine fundraising dinner is expected to fetch up to $220,000 at Sotheby’s, London. The gown, by Christina Stambolian, has toured globally ahead of the December sale, with part of the proceeds supporting NHS Lothian Charity.
A wave of reporting shows ALPR technology in private retail networks and school buses drawing privacy concerns, with retailers facing pressure from campaigns to withdraw from Flock Safety and authorities tightening use rules.
John Malkovich has cancelled a Tel Aviv date for The Music Critic after a PR firm attributed quotes to him. He says he never made the statements and will not participate in the performance. The Israeli promoter and the PR firm apologize for the error. The show’s tour continues elsewhere.
Palestinian filmmakers have unveiled a Gaza Cinema Academy initiative advancing a nine‑month Gaza Filmmaking Diploma and planning to create an accredited degree, with aims to connect Gaza’s storytellers to global audiences and festivals.
NAZA, an 80‑minute documentary by Israeli filmmakers Yuval Abraham and Rachel Szor, has premiered at the Venice Film Festival, won a special jury prize and prompted sustained criticism from Israeli officials. The film presents anonymous testimony from 24 Israeli military and intelligence personnel alleging AI‑assisted targeting and frequent civilian deaths in Gaza; Israel’s defence establishment has rejected the claims and ordered inquiries.
Massachusetts Supreme Judicial Court has reprimanded Judge Shelley Joseph after a 2018 incident in which she allegedly helped an immigrant escape. The ruling follows a finding of improper conduct and an appearance of impropriety. The decision has echoes of related immigration enforcement clashes nationwide.
Oasis has revealed a 2027 tour spanning the UK, Europe and the US, with 11 Manchester shows, five Celtic Park dates in Glasgow, and four at Knebworth. Richard Ashcroft will headline all dates. The tour follows their 2025 reunion and weeks of teaser posts and a drone reveal in Manchester.
The latest from the Lebanon-Israel security talks brokered by the United States: Lebanese and Israeli ambassadors are meeting in Washington to discuss disarmament, south Lebanon redeployment, and pilot-zone deployment as part of a broader framework. The discussions follow delays and a tense border situation amid clashes and regional strikes.
The Guardian and The Times of Israel report on the Venice-winning NAZA documentary by Yuval Abraham and Rachel Szor. Israeli ministers have condemned the film, with the culture minister threatening citizenship revocation for the directors. The IDF denies allegations of planned or approved strikes in Gaza and challenges the film’s anonymous whistleblower approach. The Gaza death toll exceeds 73,000.
A Venice-lauded documentary alleging that Israeli targeting practices include collateral civilian deaths has sparked a political firestorm. Israeli leaders condemn the film, threaten legal action, and move to strip the filmmakers of citizenship, while international peers call for freedom of expression and due process. The debate centers on anonymous insider testimony about AI-assisted targeting in Gaza.
The Novig advertising campaign featuring Sydney Sweeney, showing her in minimal clothing while posing with sports gear, has prompted widespread criticism from athletes and commentators about the sexualisation of women in sport. The backlash has seen outspoken responses from figures like Amy Hunt, Ariarne Titmus and Gracie Kramer, while Sweeney defends the project and highlights other nude campaigns.
A London revival of Sunday in the Park With George at the Barbican has been cancelled after Ariana Grande and Jonathan Bailey withdrew. Empire Street Productions will retain rights with an eye to a 2028 staging; further details will be announced.
Bob Mackie, a legendary fashion and costume designer known for dazzling looks for Cher, Dolly Parton, Elton John and more, has died at 87. His career spanned six decades with nine Emmys and a Tony, and his designs shaped show business fashion while remaining controversial and iconic.
The Venice film festival features a four-hour documentary on Elon Musk that critics say is highly critical. Musk has branded the film a hit piece, while director Alex Gibney defends it as rigorous inquiry. The documentary includes AI-generated Musk commentary and details about Musk's business ventures and public presence.
A Yale study analyzes New York Times coverage of the Gaza war, arguing it underreports Palestinian casualties and civilian suffering while overemphasizing Israeli agency; Times counters that it covers the war rigorously from multiple angles. The debate centers on framing and balance as the conflict continues.
Documentary NAZA relies on anonymous Israeli military testimonials alleging AI-enabled targeting in Gaza. While the film has won Venice’s Special Jury Prize and will stream via The Guardian, Israeli officials deny the allegations and threaten legal steps against the filmmakers. The Guardian cooperates on distribution; filmmakers argue for public access amid ongoing debate.
Pro-Israel and pro-Palestine demonstrators gather near the UN as Prime Minister Benjamin Netanyahu addresses the General Assembly. Arrests occur as protesters block traffic near First Avenue. Celebrities attend or support the protests, while some activists call for halting U.S. funding to Israel.
Unreleased Oasis recordings from the 1990s, including 63 live shows and hours of rehearsals, have been withdrawn from auction after legal action by the band. Littleton Auctions had planned a sale in October, but Oasis has intervened, delaying the auction while the dispute proceeds. Other memorabilia remains on offer.
The documentary NAZA has opened in US cinemas after winning applause at Venice and New York festivals. Israeli military insiders in the film have alleged reckless killings of civilians in Gaza and described using AI-driven surveillance to select targets. Israel has denied the claims, called for probes and threatened action against those who spoke to the filmmakers.
The Guardian‑produced NAZA, based on 24 anonymous Israeli military insiders, has sparked a political backlash after Venice’s Special Jury Prize. Netanyahu has called for investigations and citizenship revocation; filmmakers face legal and security pressure even as the film screens in over 50 countries. A counter‑film and online misinformation efforts have emerged, challenging NAZA’s claims.
AP, Independent, and others report on Yeon Sang-ho’s film Paradise Lost, which reconsiders AI and memory through a mother’s grief after her son’s disappearance. The drama contrasts an AI version of Sun-woo with the real boy’s return, probing what constitutes identity and relationships. The Toronto premiere frames a broader dialogue on technology and cinema.