American actor and musician
David Robert Mitchell has released The End of Oak Street, a 1982‑set sci‑fi horror that transports a suburban neighbourhood into a dinosaur‑infested prehistoric landscape. Critics have praised Anne Hathaway’s performance and the film’s technical craft, but they have criticised its uneven tone, derivative Spielberg pastiche and an undercutting finale. Reviews started publishing 12 August 2026.
Carly Simon has announced her first album in years, Comes in Waves, while revealing a Parkinson’s diagnosis and skin cancer treatment. The collection revisits defining moments of her life and career, with songs touching on love, loss and renewal. Readers are invited to explore the full context of her career and health as she moves forward.
A gathering of recent fitness pieces from Independent and New York Post examines at-home workouts, kettlebell routines and compact gym solutions. The articles cover practical routines, equipment choices and expert tips for staying fit with minimal space and cost.
A review roundup of genre fare, from a high-octane Australian liver-delivery caper to a retro-styled Cold War bromance, and a TV legal drama adaptation that leaves critics divided. The slate features Runner’s gory, gamey camp; Knightfall’s retro charm; Mayday’s action mischief; and The Rainmaker’s courtroom soap — each casting a different light on how thrillers and legal tales move in the streaming era.
The Prime Video spin-off Neagley centers Frances Neagley as she investigates the suspicious death of a childhood friend, while leaning on Reacher’s legacy. Maria Sten leads a brisk, action-driven runtime that sticks to the franchise’s proven formula.
Disney has raised monthly prices for ad-free Disney+ and Hulu by about 13% and increased several bundle and ad-supported tiers. The company has positioned the moves as part of streaming profitability efforts after revenue growth; some ad-supported bundles remain unchanged while Hulu + Live rose significantly.